Author Archive

  • Big Society – a new opportunity for brands and the arts?

    It’ll be a while before the full impact of the coalition’s swingeing cuts in the Arts world are realised, but one thing is clear: it’s forcing artists’ hands. There will be little choice but to seek patronage from sources other than the Arts Council, NESTA or the British Film Institute.

    Of course, brands have been supporting the arts for ages and there have been some great examples of this, although some backfire as seen recently with BP’s sponsorship of The Tate. And there are those in the arts community who feel that corporate sponsorship has no place, that it sullies the purity of art. But the harsh reality is that the arts need funds, and the most ready source is going to come from the private sector.

    At  Camp Bestival last weekend, in amongst the fun and wonder, I was struck by how much harder brands are going to have to work to engage with people, and how this has potential to benefit artists.

    The House of Mixology and The House of Noise

    One of the best things I experienced at the festival was ‘The House of Fairytales’ field which was made up of a whole range of family activities.

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  • Agile training day – another take on visual notetaking

    I’ve swithered about posting these notes, given their visual inferiority to Tim’s. But what they lack in beauty, I hope they make up for in utility. I certainly had fun making them. And as someone more adept with a viola in hand than a sketching pen, I’m not too ashamed of my efforts.*

    Enjoy.

    Rules of Lean

    Keeping it Lean

    * Please don’t take that as a cue to harangue me with rubbish viola jokes.

  • CyberMummy – tales from the blogging frontline

    Saturday saw the first ever conference for parent (mummy) bloggers in the UK: CyberMummy. Set up by the indomitable Sian To, Jennifer Howze and Susanna Scott (aka @mummytips, @alphamummy/@jhowze and @amodernmother), this is a conference that looks set to grow exponentially over the coming year.

    199 mummy bloggers and 1 daddy blogger

    © Sian To aka mummytips. '199 mummy bloggers and 1 daddy blogger'

    Sian, Jennifer and Susanna met at BlogHer last year in Chicago and decided that a celebration of mummy blogs is exactly what the UK’s bloggers needed. They make a winning combination: with expertise in PR, journalism and grassroots community building, these three mummy bloggers have Read full post

  • A platform for parents – Ready for Ten presentation

    Slideshare has been busy overnight putting our presentation through some kind of virtual conversion wringer, and it’s now ready for your enjoyment.

    Here’s the presentation that Tim and I presented with our client, Chrissie, in the Digital Strategy Theatre at the NMA Online Marketing Show on Tuesday. It gives an overview of the strategy, approach and working processes we employed within our cross-functional team with BBH and Britvic to create Ready for Ten.

    Ready for Ten – a peer-to-peer parenting platform for Robinson’s Fruit shoot

    We’re looking for other opportunities to talk about the platform, so please drop me a line at charlotte@madebymany.co.uk if you have an event you’d like to invite us to.
  • Ready for Ten Skillscape – a utility for parents of 6-9 year olds

    Last week saw the second release of our engagement platform for Robinson’s Fruit Shoot: Ready for Ten. The build up to the release was short — only five weeks — but in that time we achieved an awful lot. A complete evolutionary turn on the visual design, plus introduction of new features for our members including a VIP Club, enhanced profile pages and most importantly, the Skillscape campaign.

    Ready for Ten homepage

    Ready for Ten homepage

    What is a Skillscape? Well, it’s something we’ve devised to help parents find the best spaces near them for kids to play, practise and learn new skills. From talking to parents, Read full post

  • Visual note-taking is the new religion

    Forget Scientology, Kabbalah or The Church of the Flying Spaghetti Monster, the growing Movement of Visual Notetakers is where it’s at.

    Original visual note-taking from Sunni Brown

    One of my big hopes pre-SXSW was that I’d learn some cool stuff, particularly about how to present thoughts and ideas visually. A good few of The Many are skilled draughtsmen who easily loop and whirl their way into the thoughts that spring up during brainstorms, workshops and meetings. I’m not one of them. My notes are always predictably outed as bullet-pointed lines; I’m a word person.

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  • Conflict resolution (or How to Deal with Bastards)

    One of the SXSW sessions I went to yesterday dealt with the problems that arise when folks you work with are tricky, incompetent or just a bit of a pain in the backside. Whether it’s partners, clients or colleagues, at some point difficult situations inevitably arise and people don’t always play nice.

    At this point I should probably caveat this post with the genuine declaration that no-one I work with is an a*shole. I’m pretty lucky in that respect.

    Nevertheless, there was talk about the ways in which we can resolve conflict, bring people back on side and generally push the politics to one side to make sure that the project doesn’t suffer. Here are some of the pointers the panel shared with us:

    1. Make sure expectations are set with partners at the beginning, and keep it unemotional when discussing falling short of them. Keep communication open and frequent, and if expectations are unclear on either side, sort it out as early as possible. This goes as much for our expectations of our clients as it does for their expectations of us.

    2. If people are behaving badly on a project, they’re probably not doing it deliberately. Most likely, they’re  just incompetent. Deal with it and, if possible (e.g. if it’s a third party partnership) try not to partner with them in future.

    3. Don’t get into the bullsh*t of competitiveness and brinkmanship with colleagues - trust your work, stay cool, take the higher road. You’re not at school anymore, and no-one’s going to give you a medal for winning the playground brawl.

    4. Turn the spotlight onto them: “If you were in my situation, how would you handle this? What would you do?” – make the bastard stand in your shoes. Seeing the other person’s point of view and asking for their suggestions can help find a solution.

    5. Don’t be susceptible to bad vibes. As one of the panellists told his son: “Sad people like to make other people sad.” Or as we say in the UK, “Don’t let the buggers get you down…”

    6. TIPS: Timely, Impact, Private, Specific

    If someone’s being a bastard, follow ‘TIPS’. Deal with the issue in a timely manner; share the impact of what that person’s bastardly behaviour is having on the business (effect on the bottom line, negative influence on morale); speak privately with the bastard – don’t publicly humiliate them; be specific about the issue.

    7. Be gracious, respectful and rise above the rudeness. One of the panellists had a great story about her time at Halliburton as General Counsel – she happens to be black. So, she was due to have a meeting with a group of people she’d never met and one of the guys in the meeting, assuming as a black woman that she must be in the service industry, asked her to get him a coffee. Without demur, she went and got him one, got herself one and then sat down at the meeting. He looked at her with incredulity – what the hell was this server doing sitting down?

    Then the Chair walked in and suggested everyone introduce themselves. The ’server’ started by explaining that she was there as General Counsel to lend legal advice. The guy blushed crimson. She winked at him; that was all. He knew what he’d done, and that was shame enough. He’s now one of her greatest supporters and they have a good working relationship, all because she didn’t call him out. Smart.

    8. Unless you’re in the military or prison service, remember that you can always walk away if it’s not working. This one really resonates with me. At Made by Many, we talk a lot about what makes for a successful project and are very careful about the jobs that we select. Our key criteria are: will we have fun doing it? will it make us famous/win an award? will it make us rich? will we learn in the process?

    If a project doesn’t satisfy at least two, and preferably three or all of these criteria, then we don’t take the job.

    One of the biggest keys to a successful project in our business is choosing the right kind of client. And as the panel said, if you make a bad choice and discover down the line that it’s just not working: have the courage to walk away. Otherwise, it drags everyone down, the project suffers and the end product is mediocre. No one’s happy.

    Don’t be afraid to break up with them: “It’s not you, it’s me…It’s just not working anymore. We can still be friends. I just don’t feel that way about you anymore.” Sorry, getting a bit carried away with the therapy there. I blame the US capacity for ’sharing’, it’s rubbing off on me here in Austin.

    The Chair said he’d buy everyone a beer if the panel didn’t come up with 8 ways to deal with a bastard. They just made it – lucky for him – there must’ve been 1500 people in the room. That’s a lot of Lone Star.

  • Online > offline: we still love paper goods

    Last Tuesday night, I went to the preview for the Brit Insurance Designs of the Year exhibition (aka the Oscars of the design world) at the Design Museum in Shad Thames.

    The exhibition

    (Photo credit: Luke Hayes, from the Brit Insurance Designs of the Year blog)

    It was a fluorescent evening, buoyed up by free-flowing champagne and ebullient design types larging it in hats, big hairdo’s, bright lipstick and serious specs.

    The exhibition covers the gamut of design: architecture, furniture, product, graphics, interactive and fashion. One of my favourite pieces was a bit of folly with a serious message: ‘Panda Eyes‘ a crowd of WWF Panda collecting tins, wired up to a camera in the sky to detect human movement and shift in sync as you walk around them. Its intention is to raise awareness of pandas’ plight in the wild. I think.

    What I found interesting is that some of the graphic entries were really all about the relationship between online and print (and therefore arguably candidates for the interactive category). These three entries all had online generation in common: the articles, images, comment and opinion are all drawn from the crowd, using twitter, blogs and data to bring a concept to life.

    Newspaper Club (which for some reason has a bit of an ugly website, but produces beautiful papers) allows anyone to create and print their own newspaper, without the need to be a multi-millionaire media mogul.

    Here’s a particularly cool example that’s both useful and will please anyone who likes a bit of data visualisation loveliness. The Postcode Paper was an experiment from the Newspaper Club themselves that took information from data.gov.uk such as local services, crime stats and other useful stuff you need to know when you first move somewhere, like TFL transport links, and republished it in one handy, paper format.

    The Postcode Paper

    (Photo credit: Newspaper Club)

    It’s Nice That brings together the best of the creative industry in one place. As well as existing online, they also produce “a bi-annual printed publication, monthly talks and videocast, an online shop selling exclusive products as well as regular interviews and features with current practitioners.” I haven’t seen the print publication, but they feature some mighty nice stuff online.

    Tyler Askew's brand identity for Music HDTV channel RAVE

    And having recently received an extremely dull pre-conference magazine for SXSW, I can appreciate how something like The Incidental would be refreshingly interesting and bring the good stuff to your attention when wading through the programme at a conference. Essentially, it’s “a community-generated news pamphlet and website at international design events which offers debate, reviews, news updates and recommendations by tapping into what everyone is talking about.”

    This has given us some ideas for SXSW…

  • Delightful punctuation

    As an erstwhile pedant and ex-employee of a major dictionary publisher, I have had my fair share of run-ins with punctuation. So I chuckled to see this brilliantly illustrated explanation of how to use the semicolon.

    The Oatmeal - How to use a semicolon

    Hairy Knuckles

    Bears have pause

    By the way, if you’re looking for something to delight you on any given day, head over to Maria Popova’s site of wonder Brain Pickings (or follow her on twitter), which is where I stumbled across this little gem.

  • I’ve had a baby. What have you all been up to?

    (or 10 things that have changed on the web since November '08)

    In the time I’ve been away and had a baby (she’s 10 months old this week…), a lot has happened.

    My baby

    The internet being a many-splendoured and rapidly changing thing, I hesitate to attempt any coherent summary of all that’s gone on.

    Instead, I’ll just pick out a few things that have sprung up on my radar as significant changes between November ‘08 and September ‘09. Broadly speaking, I see them as these:

    1. digital as support act > digital as headliner
    2. semantic web frenzy > real-time web frenzy
    3. slow fade of shiny 2.0 aesthetic > upsurge of big type mobile-friendly aesthetic
    4. Twitter as geekorama > Twitter as mainstream
    5. Google primacy > Google supremacy
    6. 43 white, analogue US presidents > 1 black, digital US president
    7. banner ads and buttons > social, shared content
    8. state control of ISPs (Iran, China) > online social mobilisation and subversion
    9. stream of rubbish reality TV on iPlayer and 4OD > demise of Keith Floyd
    10. Plus, of course the launch of Spotify, Facebook Connect, a proliferation of Twitter clients and more iPhone apps than you can shake an accelerometer-enabled stick at.

    You’re more than welcome to plug the gaps on the things I’ve missed whilst I was lost in the apparently endless cycle of feeding, sleeplessness, nappy-changing and washing.

    Please, tell me: what other important stuff have I missed?

    P.S. As I was writing this, I found a couple of Trend Blend maps via Ross Dawson’s blog which suggest that between 2008 and 2009, life has gone from being an ordered train journey through society, politics, technology et al…

    Trend Blend map 2008

    Trend Blend map 2008

    …to a more scary-looking hydra, beset by ominous little red demons. Perhaps I should have stayed at home, offline, with the curtains closed.

    Trend Blend map 2009

    Trend Blend map 2009

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