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Time for tea
To celebrate the end of another packed, exciting week at MxM, we had tea and cake. Tim is an advocate of proper tea, made from leaves, in a pot; so I took this picture for him of a sketch I saw in Howies on Carnaby St.
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How do you say London in type?
A fellow typographer has created a great series of postcards that show the subliminal messages sent out when using different typefaces.

With tongue firmly in cheek, some of the postcards are absolutely spot on. Who can doubt that Comic Sans isn’t the hand of God or that the typeface Stencil isn’t Rambo 4?
However, I was intrigued by the choice of subliminal message for Gill Sans: I am the son of a stonecutter. This is surprising, not least because there are so many things you could hold up against Eric Gill that being a son of a stonecutter is a bit of a cop out, but mainly because to many Gill Sans cries out “I am English”.
The typeface has a long history of being used for organizations that have a national prominence or by companies that are uniquely identified as having British heritage. From the LNER to the Ministry of Information, from Jan Tschichold’s iconic designs for Penguin to the BBC.
It was this heritage that we experimented using when we started the design phase of Metrotwin, the social utility for Nylonistas. One of the first ideas we discussed was signposting the different cities through colour and type:

The choice of Gill Sans for London was clearly cut, as was the choice of Helvetica Medium for New York. Used (in a roundabout route) by Massimo Veignelli and Bob Noorda for their signage plan for the NYC subway system, it’s now a ubiquitous part of the city’s identity, found on virtually every street corner.
Our colour choice was also to be found on every corner: yellow for New York cabs and black for London taxis. (We also had a secondary palette which didn’t get developed which used red British telephone boxes and blue American post boxes.)
In the end, we decided that the 2 colours (especially when reinforced by images of taxis as on the Metrotwin home page) had such a strong meaning that having city specific fonts was over kill.
However, it’s undoubtedly true that both colours and fonts have the power to create associations and send out messages of their own accord. Which reminds me, with Obama surging ahead in the polls there’s a really obvious one that Lars left out:

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Protect The Human success re ‘No’ to 42 days
Great news for civil liberties in our green and pleasant land: MPs have dropped their plans to extend detention without trial to 42 days.
This is in no small part due to the relentless efforts of Amnesty International UK and its supporters to highlight the issue with a national petition, and to encourage voters in 20 constituencies whose MPs were undecided on the issue that this is not something the British people want.
Protect The Human garnered a staggering 9,503 signatures for the “Say ‘No’ to 42 days!” petition. Online campaigning in action. If you haven’t seen the video produced by Dark Fibre with music from the Orb and voiceover by Christopher Eccleston (erstwhile Dr Who), go and take a look.
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See no evil, from Amnesty International
God, I’ve wanted to do something involving this stary thing for ages. Now Amnesty have done it in a worthy cause. (I wish I wasn’t so shallow).
Focus on the red cross for 30 seconds. Tilt your head back and stare at the ceiling, slowly blinking your eyes. (Hint: click the image and load the full size image. The one below is too small)
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Just say no to Latin
Lorem ipsum sucks. There, I’ve said it. I’ve come out against the designer’s fall back. Need a block of copy, none available from the client? Lorem ipsum will do. Need some sample user comments? Lorem ipsum. Need a headline to fill that space at top of the page? Want people to focus on the presentation and not the content? Whack in some latin. It’s the catch all filler copy, the designer’s best friend. Yet is lorem ipsum actually a friend to clients and, ultimately, a site’s users?Our work at Made by Many falls into two distinct phases, strategy and production design. We don’t use lorem ipsum for either.
In the early phases of a project, we use design as a visual tool to help our clients understand the services we create. We often focus on a user’s key interactions, presented to the client as a series of highly polished screen designs. Whilst the visual nature of these designs helps translate our thinking into something that looks and feels real, it’s often the content that makes the service believable.
In fact, the service is only made real by showing the relationship between form, content and interaction. Taking away any one of those elements (by falling back on latin copy for example) immediately makes the idea less tangible.
As a project moves into production, there’s often the temptation to use latin as a design element – the idea has been signed off, what does it matter if the design becomes progressively less real? However, the most successful sites are those where the user has been considered at every step of the project. How do you do this? By creating designs that mirror the experience real users will have of the site as closely as possible.
Real users don’t see a site with latin headlines or where every comment is the same 50 word fake entry that has been repeated using cut and paste. By taking the time to use real copy, the designer is asked to consider each element from the user’s perspective. Does this form need any instructional copy? Is it as simple and as short as possible? Does the formating for comments work for both entries of 1 word and 100 words? What happens if a headline splits over 2 lines? Without considering these real elements, there’s a strong danger that design just becomes decoration.
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It’s not all doom and gloom
Whilst there’s widespread cause for panic in these dark days of global economic downturn (which has given rise to Lingo Bingo in our office around terms like ‘challenging economic times’, ‘credit crisis/crunch/crash’ and ‘we’re all going to hell in a handcart’), there is however a small ray of hope on the horizon for us digital folk.
(Photo credit: Ricardo Carreon)
According to the IPA’s latest Bellwether survey, whilst Marketing budgets for Q3 have been cut at a record rate, the investment in digital remains steady. This supports our long-held view that digital is a good place to be in these challenging economic times. Bingo.
Of course, that doesn’t mean it’s all plain sailing just because we’re in digital – check out Tim Bray’s ‘Fear Factor’ presentation from last week’s FOWA. Happily, MBM are already employing a number of the measures he advocates for surviving in this hostile climate. Things don’t look good for enterprise software, though…
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Metrotwin Recommends
We’ve been using our new Acts As Recommendable plugin on metrotwin.com and it’s been interesting to see how it’s performing in a real-world situation.
Bookmarks (places) are integral to Metrotwin, and a user can associate themselves with a bookmark by ‘Loving it’, saving it to their profile, or by stating they’ve been there.
So there was potentially a lot of information that could be collected about users preferences from their association with bookmarks. And that information could then be used to improve the overall experience, such as recommending bookmarks to people, and showing similar bookmarks – a great example of a practical application to Collective Intelligence.






