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What the fig is burp.fm?
Yeah, good question.
It’s something we’ve been working on as a ‘fun’ side project. I’m not going to try and convince you that it’s a gently mocking critique of Twitter, or of social media in general. I’m not even going to try and sell you on it being a ‘trifle’ we created to cheer everyone up in these challenging times. We created it because we have puerile senses of humour and found it funny – you know, burping and stuff – and wanted to make something playful and plastic enough to fool around with, that would integrate with Twitter and other social services we like.
Okay, we know we’re not going to win any awards with this. We don’t want to get all serious about it. It’s a toy. A plaything. We find burping quite funny – nothing wrong with that. It’s a form of non-verbal social interaction that would have been familiar to the Vikings, or perhaps to cave-men (maybe more the men than the women, although I don’t want to get into trouble for suggesting that women can’t or don’t burp – of course they do and can. Some of my best friends are women burpers). So just try and enjoy it – have a go, let’s collect some burps and see what happens. If you want to send any suggestions about how we might improve it then great. In fact, please help us test it. Yeah.
Many thanks to Al Merry at BBH for talking to us about burps in the first place. Basically, it’s his fault.
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Stuff that’s been floating around the office during the last 2 weeks
It’s taken me a while to get down to compile this – we’ve been busy at Made By Many! I was actually contemplating the necessity of this series of posts but then figured it’s a nice way of keeping our readers clued in to the kinds of things that interest us and therefore the kind of company we are. So here goes:
1. I Want You To Want Me: The brilliant team behind We Feel Fine, Jonathan Harris and Sep Kamvar, have come up with a visualisation of online dating – a very beautiful one, might I add.
2. TypeDeskRef: Do you know what a ‘historiated letter’ is? If not, you may want to get a copy of Type Desk Ref, which explains typographic terms.
3. A visual repertoire of Obama’s run for the White House: The biggest event of last week was definitely the swearing-in of the 44th President of the United States. Tim’s written about it in our last post. This is a site that chronicles all the online things to do with Obama since the start of his campaign.
4. Photosynth of the swearing-in: CNN teamed up with Microsoft to consolidate all the images that people who were present at the inauguration took, and submitted.
5. Whitehouse.gov before and after: We must give credit to the man of the moment and his team for making the switch-over so quickly. Bush gives way to Obama – and look how the official White House website changed!
6. We are All Gonna Die: There is something eerily beautiful about the ‘100 metres of existence’ screen. Take a look. By Simon Hoegsberg.
7. YouTube videos now embeddable in Slideshare: ReadWriteWeb reports on this rather useful feature.
8. En Million Historier: Danish site based on the ‘create a story’ idea.
9. Starbucks Pledge 5: Pledge 5 hours of your time to community service, and get a free coffee from Starbucks. Reminiscent of Orange Rock Corps. As Tim said, there’s definitely an Obama effect in terms of ‘doing good’!!
10. The history of the internet: This has been going around for the last week, so now it’s our turn to pop it on our blog! Jokes apart, it’s a great visualisation.
History of the Internet from PICOL on Vimeo.11. DiggGraphr: A graphical representation of the stories that are big on Digg.
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“What Is a Social-Media Agency?”
That’s the title of an excellent piece in Advertising Age by Reuben Steiger the CEO of Millions Of Us (great name!). Starts off by asking the fascinating question of why ad agencies, with all the client relationships and wherewithal, didn’t get their heads round how to create serious websites back in the day (I’m discounting the ‘product support site’ and interactive advertising.) Reuben relates how surprised he was the first time around that they didn’t ‘get it’ and crush him, and proposes some reasons for this:

He goes on to argue out that as time went on, ad agencies learnt that “the skills and value delivered by interactive agencies are different that those of the lead agency, and the two have learned to play together much better…”, which is all true and brings us bang up to date, to the rise of the “Social Media Agency”.
Reuben’s assertion is that history is repeating itself: the crucible that forged what became the interactive agency (macro-economic catastrophe, technological advances and rapidly changing media habits) is re-invented in today’s economic climate, media culture and technology. He doesn’t quite say this, but clearly the implication of the piece is that the skills and value delivered by social media experts and agencies are in turn different not only to ad agencies but also to the established old-school interactive firms.
We set Made by Many up in September 2007 to help clients create, manage and monetise community for brands. We’ve always shied away from the term “social media agency”, although nearly everything we do has a social dimension. I suppose that’s because we were wary of jumping on a bandwagon, but it’s also because we see the Web itself as the original social software, created by a community and delivering social media since day 1.
In London, we have definitely seen a gulf between “old new media” firms and the new model of smaller, faster, overtly social and more open and agile “new new media” agencies (if we can use that awful term). I wonder if the qualities that got the old model through the dot-bomb wasteland of 2001-3 are now holding them back. For example, one way agencies dealt with the downturn between 2002-4 was to invest much more effort in managing the development process. Because web development was risky and clients change their minds, web development processes at that stage were geared up to limit change (which didn’t work btw). Another example might be that agencies sought projects that were as big as possible. Big was good in that market – even if it made for less agile design and development, and less experimentation.
Today (and I hope I’m not being unfair, I don’t think I am) some of the Web 1.0 agencies seem still to be addicted to the ‘old ways’: monumental projects that take months, a limited palette of “technologies we have in-house”; a reticence to partner and embrace OSS; and an obsession with owning IP. Let’s face it, they have little incentive to call their clients up and say, “guess what, over the past few years it got quicker and cheaper to make even better sites so we’d like to pass that value on…” I think it’s very difficult to go social using ‘the old ways’.
The old digital agency model is not helpful today. Instead, the industry can learn a lot from social start-ups (like Vimeo – who I am in love with, or SoundCloud) and work as fast as possible, being entrepreneurial, pragmatic, and nimble – and take advantage of the best thing about Web technologies: your ability to make changes if it doesn’t work. We try and use very visual, rapid prototyping techniques to work very very fast and to ‘grow’ an idea into being like a gardener rather than a factory owner. In that sense, we have thousands of stakeholders on a design project – which is a healthier way of thinking about “users” anyway. We try to define just enough to create the scaffolding into which a service can emerge, driven by user behaviour, “made by many”.
People in traditional agencies – ‘old new media’ and our cousins in advertising – say they find all of the above quite challenging – which is weird because these agencies are stuffed with really smart people. So, it does feel as though the new model of online experience, the new ‘norm’ of greater participation and an understanding of community dynamics, does indeed require a specific set of skills and experience to get right (and certainly to get right cost-effectively). I think it’s also very difficult to set out with the ambition of going straight to the ‘doing social’ stage without building on a bedrock of hard-gotten knowledge (the ‘awful truth’ about how shonky and flaky Web technologies are, or how to get the most from people with developer-shaped brains (or even how to communicate with them), and an understanding of the merits of simplicity and how users think). It’s really difficult to get the front of that queue without paying your dues.
Setting out to “do social” or to “be or become a social media agency” seems to me to be the wrong way round. If you create the right conditions for the service to emerge (obviously, within a framework of your own brilliant ideas and a clear grasp of what you’re trying to acheive overall) you will *probably* end up with something social because just because that’s the way people want their Web to work these days.
Right, off to change our name to “Made by Millions”…
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The future of advertising according to the IPA
This event had the potential to be so much more. This is what the IPA advertised it as:
“There’s a revolution in the air that’s transforming society. It’s social networking and it’s empowering the consumer. Agencies must get to grips with this changing marketplace over the next decade or they could face growth of only 1.2% per year by 2016. This is according to the second future of advertising report to be published by the IPA and the Future Foundation. To find out more (….)”
What it was, was an extremely confusing, pointless rehash of things that probably 3/4th of the room already knew. Paul Graham live-tweeted this about the event: ”Scarily, the speaker is talking in a way akin to an alien commenting on bizarre human activity.” Couldn’t have put it better.
The first thing that the IPA probably forgot was that the people attending were mostly from agencies (indeed, I’d have been surprised if there were more than 10 non-agency people in there). Ergo, they were not catering to the audience. If they wanted to present the report to clients, they should have had a separate event for clients instead.
The second issue I had with the event (and I’m not saying I am any sort of expert) is that the presentation was extremely unappealing visually. I’m sure the IPA could do with reading Presentation Zen, or even just following Guy Kawasaki’s 10-20-30 rule. It was chock of full of strings of marketing words next to images that looked like they’d been put in just for the heck of it. One of them, a sort of meter gauge with a zero on one end and a ‘+’ sign on the other, with an arrow randomly pointing at some bit in between, really confounded some of us. It had no meaning whatsoever. Another image was a pie chart neatly divided into one thirds, with different colours for each third. Again, it didn’t make any sense. Add to the mix a couple of tables that had way more text than should have been presented at an event like that, and the IPA had a big problem on their hands. My personal favourite WTF comments were ‘at this early stage in social media’ (if this is the early stage, I shudder to think what the later stage is according to them), and ‘listening is more in the realm of brand research than brand communications’. If brands don’t listen as part of their communication, they are going nowhere except down.
For 18 months of research (with 100 IPA members), I don’t know how much the report reveals that was not already known. It can be argued that the report will be useful to clients, which is what the panel declared, but if it is an intelligent client then they are unlikely to see all that much value in it (that too at £75). I know there are clients to whom social media is a strange world (as is a ‘wiki’ - sorry, you had to be there to get the joke!!), but this report is unlikely to make them familiar with it – and that’s what they need, not some theorising based on the opinions of (ahem) the people that are looking for their business. In addition, 18 months is a lifetime as far as social media is concerned today. 18 months ago, there was just a tiny bunch of people who heard about Twitter, today it is the first source of images after an accident.
The panel discussion later, as Amelia said, could have been so much more than it was. Really. Russell Davies not being present was a big disappointment for most people, but the rest of the panel just didn’t drum up a ‘social’ enough debate, if you know what I mean. The panelists were fine, but the debate could have been way better.
I had a whole host of questions in my mind after the event, but the predominant one was this: are traditional advertising agencies really closing their eyes to the elephant in the room (read social media, digital, whatever you want to call it), or is it just the IPA?
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Stuff that’s been floating around the office – week ending 15th January 2009
Let’s get straight into it:
1. The Whopper Sacrifice and its sad end: Crispin Porter + Bogusky, the agency famously responsible for the Bill Gates-Jerry Seinfled Microsoft ads, came up with the concept of sacrificing 10 Facebook friends in exchange for a Burger King Whopper. In less than a week, Facebook shut the site down. If you go to the site now, you note that 233,906 friendships were sacrificed for this – kudos to CP+B and some negative press for Facebook.
2. Tweetbacks by Dan Zarrella: Similar to the ‘blog posts that mention this post’ idea, Dan Zarrella has created Tweet Backs to track where your tweets are being referenced.
3. Klout: As a sort of addendum to this post of mine earlier, Klout is a service that tracks your social influence across the web. Currently in private beta. Nope, I haven’t tried it yet.
4. 8tracks: It’s been tweeted multiple times by now, so you must have heard of this (sort of) replacement for Mixtape and Muxtape. Music lovers of the world rejoice.
5. Twitter Venn Diagrams: This is self-explanatory.
6. Spotify: Another sort-of replacement for Mix and Muxtapes. Again, currently invitation-only, though I did hear some buzz on Twitter about that changing.
7. Obama-themed coffee: The 42nd President of the United States takes oath next week, and to celebrate, Krispy Kreme UK are giving out free Obama-themed coffees if you say the secret phrase.
8. TV.com: This could be Hulu’s identical twin, going by the look of the site anyway. Apparently it is CBS-backed. With Hulu due to be available in the UK in the near future, this will be an interesting space to watch.
9. TabletPCPost: This is seriously one of the coolest things I’ve seen this week. Watch how Google can recognize your mouse-writing. (handwriting would be the wrong word I think!)
10. Ikea’s Embrace Change campaign: Ikea is looking to wrangle a contract to do up the inside of the Oval Office. What do you think it should look like?
11. Twitter scoops crash pic: It wasn’t good news of course, but this (as far as I know) is the first time Twitter has had the quickest access to photos of an event – and we’re talking even before the traditional press. As a commenter says here: “We were talking about this at 3.31pm on Twitter. It wasn’t even on CNN yet.’
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LastGraphing it away

At the first meeting of Every Single One of Us yesterday, a movement intended to ‘to facilitate and accelerate commercially viable and mutually beneficial communication’, one of the presenters spoke about how it is important to know how we relate to our information. As an example, Dominic Travers mentioned LastGraph, which takes your last.fm listening history and presents it in the form of a visually appealing yet content-rich graph. LastGraph is a project helmed by Andrew Godwin, a student at Oxford University, and what he’s done really sounds simple: use the last.fm API to transfer your profile data and then play around with it in what he calls ‘variously interesting (and often hilariously ineffeicient) ways’. Interesting, yes. Inefficient – I don’t think so myself. Go LastGraph!
(Image taken from last night’s presentation, which you can find here).








